Time for every goal | New Zealand Catholic Newspaper


If every day seems to be like yesterday, and the one you might have tomorrow, you are in a “time loop”, or feeling what the French call déjà vu.

He’s appeared several times in the movies lately, possibly reflecting or coinciding with the last year of lockdowns and people working remotely from their homes.

The time loop phenomenon has occurred in action shows as well as romantic comedies. Its first and most popular use was in groundhog day (1993), featuring Bill Murray as he awaited the emergence of the temporal animal at the end of winter. Tom Cruise exploited it in Edge of tomorrow (2014), but at least there was a lot of variety in how he could live over and over again.

This is the same approach taken by Boss level (Rialto) and framed in a video game. His shooter hero (Fran Grillo) gets closer and closer to his target villain after each reboot.

The on-screen violence is exaggerated, but remarkably director and co-writer Joe Carnahan (Grey starring Liam Neeson) drew two big names from Australia, Mel Gibson and Naomi Watts, for critical roles in what would normally be a routine thriller.

In Palm springs (Amazon Prime Video), the bride’s sister (Cristin Milloto) at a wedding gets tangled up in time with one of the groom’s best friends (Andy Samberg). He repeatedly wakes up in a hotel room on the wedding day after being tracked down by an assassin and surviving strange events.

The romantic twist comes when the two share wacky time-warping adventures in Andy Siara’s inventive plot. It’s an impressive debut from director Max Barbakow.

Although not given a theatrical release here, Palm springs sold for US $ 17.5 million and 69 cents at Sundance this year, breaking the previous record by those extra cents.

Equal in many ways is The perfect little things card (Amazon Prime Video), another romantic comedy with an unknown but promising young adult cast.

Every day is the same for a high school student (Kyle Allen) living in a small town in America. He fills his time to prevent minor accidents and to do without groundhog day. Then he meets his partner: a wacky teenage girl (Kathryn Newton, Perfect things, Lady Bird), which surpasses it at every turn.

They share the experience of being masters of their world by building a map of the “perfect things” that they notice in the actions of others. It changes their behavior – him following his advice to pay more attention to his studies and his family; she by living more for the time being and enjoying his male antics rather than just being an observer.

It is an ideal material for Young Adults (YA) because it suggests positive options without resorting to the typical mix of drugs and bad language. Writer Lev Gossman and director Ian Samuels have worked on other YA projects, but that should propel them into a bigger league.

Notes: Boss level – reserved for the public of more than 16, 84 minutes. Palm springs – 16+, 90 minutes. The Perfect Little Things Card – 13+, 99 minutes.




Anthony Hopkins leaves little luck in the overwhelming title role – his hair is never tousled, even though the spirit below is all over the place. He struggles with the onset of dementia and the presence of his daughter (Olivia Colman), the man (or men) in his life (played by Rufus Sewell and Mark Gatiss), and a parade of caregivers (among them Imogen Potts). His inability to know where he is and who he is dealing with is shared by the audience, who only see his version. French-born writer-director Florian Zeller, who staged his play for the first time in Paris in 2015, overcomes theatrical pitfalls by changing the rooms and furnishings of what appears to be the same apartment, and by minimizing explanations thanks to a sustained pace. (Two other examples of directors making stage and film versions are London Road (2015) and Hope Gap (2020).)

Note: Mature audience. 97 minutes.



It’s nothing new to put a bunch of people in a spaceship and send them on a decades-long journey to a new planet more habitable than Earth. Recent attempts include Passengers (2016), in which a rogue crew member wakes up 90 years earlier, and the thrilling Claire Denis High life (2018), where the characters go wild. The twist is that the Travelers The crew is made up only of young adults, who were brought up in isolation – the nuances of the cold Never let Me Go (2010) – with the specific aim of creating new generations in 86 years. But that promising premise is left hanging when they mutinicate after learning that their mentor (Colin Farrell) is suppressing their libidos. Alpha male aggression forms two factions, and each is fighting for supremacy, signaling writer-director Neil Burger (Divergent) is not interested in expanding what happened in Lord of the flies, written in 1954 and filmed several times. With today’s emphasis on diversity, YA audiences deserve more imaginative possibilities.

Classification: reserved for the public over 13 years old. 108 minutes.


(Amazon Prime Video)

A North African woman held without charge for 14 years at the US military base at Guantanamo Bay in Cuba has become as much a personal crusade for Jodie Foster, who won a Golden Globe for her performance, as for her lawyer, Nancy Hollander. It is a tour de force, a fact-based drama that shows the best and the worst of the American justice system. Mohamedou Ould Slahi (Tahir Rahim, The snake) was kidnapped due to a link with the Hamburg jihadist cell that planned the September 11, 2001 attacks. Hollander took his case and took it to the Supreme Court. Co-star Benedict Cumberbatch, as a military adviser, plays a vital role in turning on his employer after realizing the internment was illegal. Scottish director Kevin Macdonald’s effort is unmissable for anyone interested in jurisprudence.

Rating: 16+. 129 minutes.

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